Showing posts with label research. Show all posts
Showing posts with label research. Show all posts

Thursday, April 29, 2010

Another advertisment from 1847 Rogers Brothers Featuring the Charter Oak Pattern

This advertisement shows some of the more unusual serving pieces in the very popular Charter Oak pattern.  What is nice about an advertisement like this is that it shows both the pattern pieces and the general shape of pieces that would have been copied by the International Silver company into other patterns. Shown are serving ware such as an oyster fork, child's sets, orange spoons, cucumber server, berry spoon, cold meant fork, ice cream fork, and pickle fork. For standard serving flatware check this post.


"The "Charter Oak" pattern, illustrated above, has proved very popular since its introduction, last summer. The design, in which the acorn and oak leaf are employed effectively, is one of marked individuality and character. The finish is a combination of French Gray and bright, the ornamental part being gray and the tines, bowls and shields bright."

1847 Rogers Brothers Advertisment for the Charter Oak Pattern from 1907

 This is an advertisement made by the International Silver Company to promote their Charter Oak pattern. This is a very popular silverplate pattern and is highly sought after. While this advertisement only shows standard flatware pieces Charter Oak was made into a variety of interesting serving pieces. 



"The Charter Oak pattern, as will be seen by the illustration, possesses an unusual degree of character. The oak leaf and acorn are combined in a graceful design that lends itself readily to the somewhat unusual finish—a combination of Bright and French Grey. Even thus early it is evident that the Charter Oak is to be one of the most popular patterns. We make a full line. We should advise that orders be placed early in order to avoid delay.
Supplied to Retailers by all Leading Jobbers."


1847 Rogers Pattern Priscilla Pattern Advertisment from 1907

Here we have an advertisement from the International Silver Company that shows the Priscilla pattern.  Marked with the 1847 Rogers Bro. stamp.




Wednesday, April 28, 2010

Book Review: The Elegance of Old Silverplate and Some Personalities Edmund P. Hogan


I managed to get a copy of The Elegance of Old Silverplate and Some Personalities.  This book was written by Edmund P. Hogan and published in 1980 by Schiffer Publishing Ltd.  This is a pretty fantastic book.  Hogan covers the industry and industrial methods of silver plate in the first part stressing the amount of hand work that went into a piece. He focuses on the Victorian period which is considered by many to be the height of artistic silver plate production. Not in quantity but in quality and the unusual nature of the pieces.
The rest of the book separates out particular items with a brief commentary about use and history.  Hogan provides lots of representative pictures, showing high and lower grade wares. This is something that many books on silver leave out. They tend to focus on only exemplary examples while Hogan provides a variety.  Among the pictures are reprints of catalogue pages many of them from catalogues that are inaccessible to the average person.
The sections he covers are as follows:
Hand Chasing
            Hogan examines the way that silverplate was designed and hand worked in a factory setting. I feel that understanding this helps in identifying pieces because recognizing quality work means less reliance on marks to identify a time period and quality grade.
Sculpture for the Fairs
            Like Moskowitz Hogan covers the ways that fairs helped to drive trade and create a public for wares.
The first section is listed as Tablewares
Call Bells
Napkin Rings
Ice Pitchers
Butter Dishes
Dinner Casters
Pickle Casters
Cracker or Biscuit Jars
Nut and Fruit Bowls (or as many know them Brides baskets though there is a separate category for these)
Tea Sets
Spoon Holders (Spooners)
Oddities (spittoons, tooth pick holders, match safes, self pouring teapot, sardine boxes, celery stands, pepper boxes, mustache cups, mustache spoons and orange peelers)
Vintage Flatware (Primarily focusing on Vintage pattern, types of quality marks, unusual pieces and types of knives)
Children’s Silverware.
The second section is listed as Housewares.
            Card Receivers
            Jewel Caskets
            Brides Baskets
            Oil Lamps
            Lavatory sets
            Toilet Stands
            Toilet ware (brushes, combs, button hooks, mirrors, puff boxes)
The third sections are brief biographies on personalities in the silver industry.
             Ashbil Griswold
            W.W. Lyman
            The Rogers Brothers
            Joseph Bourne

Finding a flatware pattern.

When searching for flatware patterns, before I built up my library, I used a hodge-podge of silver websites to find information. None of them are "complete" and they vary greatly in usability and organization.

One such site is Silver Tableware. Like many sites it is a commercial venture, but it is also nice enough to make its information open to everyone. I think this helps to drive commerce in the silver trade. Basically, people find grandma's silver at a garage sale or in the attic and think that it is worth a fortune. Then they seek out pattern -usually through the makers mark- to try and find out what it is and what it is worth. In some cases I suspect that there are folks looking to expand their set but I think that the vast majority are people that will search for about ten minuted on the web to find what a piece is. Be that as it may, there are folks like myself that through this process have become slightly obsessed with pattern identification. This in turn helps to create a market for silver.


What I need to do is interview some silver dealers and hear their theories on this. Here are some questions that may have interesting answers.

1. What is the most common questions you receive about silver?
2. How do you think people "think" about silver today?
3. What drives the silver market?
4. What "theories" do people have about silver?
5. What is your most common type of customer?
6. What makes your "best" customer?
7. How do you think most people value (guess the worth of) the silver they posses?
8. What do you sell the most of?
9. What is the most common type of silver that people bring in?
10. What is the weirdest question you have received?

Tuesday, April 27, 2010

Sears Roebuck & Co. 1897 Catalouge Featuring the Yale Pattern from Wm. Rogers Mfg. Co. and other patterns from the C. Rogers & Bro.

The frame below is from the Sears Roebuck Catalouge from 1897. If you scroll up there are some lovely sterling pieces and some children's sets. Interestingly, they call them kindergarten sets.  The page displayed has flatware made by the Wm. Rogers Mfg. Co. and C. Rogers and Brothers. Being from 1897 this page shows classic high Victorian patterns and their marketing.

There is a sugar shell, orange spoons, berry spoon and knife in the Regent pattern made by C. Rogers & Bros.

There is also a Yale pattern berry spoon "in a plush lined box, a real work of art" shown on this page from Wm. Rogers Mfg. Co.

 The next page (448) shows available flatware from C. Rogers & Brothers. Patterns featured are Savarin, Naples, Imperial, Regent, B. Engraved, Royal, Westminster, Lenox, Winthrop, Belmont, Shell, Mayflower, and Regent. It also shows a pie knife in the Yale pattern from Wm. Rogers & Bros. Mfg. Co..

If the frame does not work you can visit it from this link here.


Wednesday, April 21, 2010

Collecting Hotel Silver

I have a few pieces of hotel silver. I think on the whole it is ignored as a category of silver collecting. However, this morning I ran across this  sideshow. It is a little thin on information but worth a quick look. It is from the Country Living website. 

Collecting Hotel Silver


Thursday, April 15, 2010

The Reed & Barton Britannia Works 1868

This is a description of the Reed & Barton works as well as some strange nonsense about regional personalities. The short history of Reed & Barton int eh beginning is interesting as well as the description of the factories and the various metals that Reed & Barton worked with. It is from teh book: A history of American manufactures from 1608 to 1860...: comprising annals of the industry of the United States in machinery, manufactures and useful arts, with a notice of the important inventions, tariffs, and the results of each decennial census. Published in 1868. The volume in its complete form can be viewed below. 

Reed & Barton's Works,
For the manufacture of Britannia, Albata, Nickel, Silver, and SilverPlated Wares, at Taunton, Massachusetts, are the oldest, and one of the largest in the United States. About 1824, Mr. Isaac Babbitt, the inventor of what is known as the Babbitt Metal, commenced the manufacture of Britannia ware at this place, and may be called the founder of the business. Subsequently, the business established by him passed through the hands of Babbitt & Grossman, West & Leonard, the Taunton Britannia Manufacturing Company, none of whom found it profitable, until, finally, Henry G. Reed and Charles E. Barton, who were apprentice boys to some of the other firms, associated with another, became proprietors, and by industry and perseverance succeeded in building up one of the largest manufacturing concerns in the country.

The principal buildings have an aggregate length of about one thousand feet, and are divided into departments for special purposes, such as the machine room and rolling rooms, the burnishing rooms, plating rooms, press rooms, buffing rooms, polish rooms, and others. In their press room they have a number of presses of immense power—one screw press weighing about seven tons, for stamping designs and figures upon the different articles of their manufacture; and their stock of dies is most complete. Their show room presents a brilliant array of specimens of their workmanship that would attract attention and extort admiration even in an exhibition of Solid Silver Ware.

Within the last five years, this firm have made important additions to their list of manufactures, and now produce, besides Britannia and Silver-plated wares, all kinds of Electro-plated Nickel Silver Table Ware, and Albata Spoons and Forks, that can only be surpassed by solid silver. They have increased the number of their hands to nearly five hundred, and have added so largely to their facilities for manufacturiug that it may be said every tool or machine that can be used advantageously in the business will be found in their workshops.

Within the same period also, this firm have made great improvements in the patterns and styles of their wares. It is one of the advantages of electro-plating that all ornaments, however elaborate, or designs, however complicated, that can be produced in silver, are equally obtainable by this process, and one of the benefits that such firms as Reed & Barton confer upon the country, is that they familiarize the American people with forms of beauty and elevate the standard of public taste. An American artisan can now command exact copies of the choicest plate in the repertory of kings. The Anglo American, said the London Art Journal, some years ago, seems ,the only nation in whom the love of ornament is not inherent. " The Yankee whittles a stick, but his cuttings never take a decorative form ; his activity vents itself in destroying, not in ornamenting; he is a utilitarian, not a decorator ; he can invent an elegant sewing machine, but not a Jacquard loom ; an electric telegraph, but not an embroidering machine." 

This reproach, if ever true, is rapidly losing its force. Even American artisans, while properly maintaining that ornament should be subordinate to utility, are yet beginning to understand that " a thing of beauty is a joy forever," and in schools like those of Reed & Barton, where chaste designs are multiplied and wares rivalling those of the jeweller and silversmith are made and sold at prices accessible by all, the American people are being educated in taste and love of the beautiful, which is said to be the finest ornament and purest luxury of a land.

The Advocate of peace, Volume 3 1871 - Reed & Barton

Some more digging trying to find earlier advertisements turned up this one from 1871. Reed & Barton would have been in direct competition with many of the small producers during this period, as it is before the formation of the International Silver Company. This advertisement also mentions various fairs, a common promotion method mentioned in Moskowitz's book.


At the American Institute Fairs, held in New York in 1867 and 1809, and at the Mechanics' Fair held in Boston in 1869, REED & BARTON received the highest prizes over all competitors for ware exhibited by them.
The following extract Is from the Judges' Official Report:— " The Judges are warranted in pronouncing this display of Ware to be of superior merit, unsurpassed in quality and style. The durability of REED & BARTON'S ware has been so long known to the Judges, that they feel it their duty to accord them the position of First among the Manufacturers of plated goods."

Reed & Barton The Harvard Graduates' Magazine, Volume 16 1908

Another Reed & Barton advertisement. This one features the Roosevelt Cup and shows their mark for sterling from the same period.


"THE ROOSEVELT CUP

Sterling Silver DESIGNED AND MADE AT THE REED & BARTON SILVER WORKS
IN competition with the leading Silversmiths of America, this design was selected by the President of the United States as the American Trophy for the Jamestown Fair Yacht Races. Cups were also donated by King Edward and Sir Thomas Lipton.

This was not a competition as to price, but one purely of design and skill, and the selection of the Reed & Barton trophy was a fitting recognition of the highest type of American Silversmithing.
The same qualities which won this competition for Reed & Barton, are winning every day for their other productions: Perfect Workmanship, Beautiful Designs, Intrinsic Values.
Reed & Barton productions rarely win in a competition of prices. They are not advertised or put forward as desirable, because cheap. They are not seen on everybody's table or sold in every kind of a shop.
Only the better jewelry stores sell them. Thus a wedding or Christmas gift of Reed & Barton silver is the more choice and desirable.
Reed & Barton Silver costs but a trifle more than other makes, but the satisfaction of knowing you have absolutely the very best silverware made in America, is well worth that trifle. ..
Ask your Jeweler to show you Reed & Barton Silver and judge for yourself. Note particularly the weight and excellence of finish in comparison with other makes. Write us for catalogue A-19.
REED & BARTON
Silver Works Established 1824 TAUNTON, MASS.
The Oldest Makers of Silverware of Repute In America
New York Stores
REED & BARTON CO. 320 Fifth Avenue and 4 Maiden Lane 

Reed & Barton Advertisement Scribner's Magazine 1909

Someone was searching the blog two days ago for "early Reed & Barton epns" Because of that I did some digging and came up with this advertisement from Reed & Barton from Scribner's Magazine in 1909.  Its not really "early" the company started in 1824, but it does show some nice pieces of holloware.

                                Make This a REED & BARTON Christmas
By selecting' all your gifts of Reed & Barton Silver from a Reed & Barton Jeweler. It will reflect your own good taste and be a pretty compliment to the recipients. For Reed & Barton Silver gives enduring satisfaction. It is substantial in weight, uncommon in design and faultless in workmanship.
Reed & Barton productions rarely win in a competition of prices. They are not advertised or put forward because cheapest. Nor are they sold in every kind of a shop. They are obtainable only in the better jewelry stores. Hence a gift of Reed & Barton Silver, either Sterling or hign grade plate, is the more choice and desirable. So make this a Reed & Barton Christmas



Wednesday, April 14, 2010

The conservative advocate: a book of biographies of Connecticut's successful men, with essays on conservatism by well known writers

This is a 1909 article that covers the International Silver Company and its many "brands". It also covers men of industry that worked for and about the company. It was written by E.L. Chadwick or Earl Leslie Chadwick. 

The Spatula 1910 and the Henry G Loeber Co.

This issue of the Spatula a trade magazine in 1910 contains an advertisement form the Henry G. Loeber Co. They made Silver plated sundae cups and other material for soda fountains. This offer includes a free silver spoon (that I think we can assume is plated). A quick tour of Rainwater's book turned up nothing on this maker. You may need to scroll to the end of the page to view this advertisement.


Will Carelton's Every Where Magizine 1907 - Rogers Silverware Co.

"X=MAS PRESENT"
USEFUL AND BEAUTIFUL
NO OTHER FIRM COULD AFFORD THIS BUT US
This is the first time we have ever made this offer— this beautiful 4-piece set of Silverware (guaranteed;) full size for family use; packed in case.

FOR ONLY 97c.

It is done solely to advertise our product and only one set will be sent to each family, with positively no duplicate orders. The plate is heavy and the pattern one of the latest and most fashionable— the famous "Rose." 

McClure's Magazine December 1915- Reed & Barton Advertisment

This advertisement features the Heppelwhite Pattern from Reed & Barton. Small trade mark for the time period is also shown.

McClure's Magazine December 1915

Featured Patterns are Old Colony, Continental, and Cromwell.  1847 Rogers Brothers Christmas advertisement.

McClure's Magazine November 1915

McClure's magazine 1915 advertisement for 1847 Rogers Brothers of International Silver Company. Patterns shown are Cromwell, Continental and Old Colony.

McClure's Magazine, premiums and free silver

"Premiums Given for Trade-Marks to Attract New Customers"

Advertisement is a great example of the sort of thing that companies used to do with silver. There is a lot of premium given silver out in the world, waiting to be discovered. I have a giant box of Queen Bess pattern flatware that was a premium for Betty Crocker.

The 1910 pattern Sunkist by Wm Rogers and Son is another example. It was given away by the Sunkist citrus growers as a premium. Another 1910 pattern by the same maker, Orange Blossom was given away by the California Fruit Growers Exchange. The Rose pattern by the same company was offered as a premium in 1910 by the Liebig Company for their fine product Extract of Beef. To be clear I have no Idea what Extract of Beef is, but I imagine it is something like bullion.

Dunham's Cocanut was a St. Louis company but I do not know much more about them then that. A quick search on Google mainly turned up materials they have left behind as premiums, like dollhouses and recipe books. Still, it is interesting to see the variety of material that was available. The advertisement below is from McClure's MagazineVolume 8 1896. 









Some of the other advertisements are wonderful and you should sort through them. There is one for a meat chopper that claims it can handle anything from "codfish to coconuts" with accompanying pictures. On page 51 there is an advertisement for the Colombia pattern orange spoon made by 1847 Rogers Bros. and the Meriden Britannia Company.



Page 5o has an advertisement for R. Wallace & Sons Mfg. Co. Sterling. The top of the same page has a sterling silver nail polisher made by the Daniel Low & Co. silversmiths from Salem Massachusetts.




Sometimes a company included their stamp on a piece. The Banner Buggy Company of St. Louis (St. Louis again? perhaps a city that likes free stuff) offered flatware pieces made by Wm Rogers Mfg. Co.. One such pattern was Artubus from 1908. These were given out as advertising souvenirs. In 1894 the Banner Buggy Company gave out pieces of the pattern named Florida.  The 1901 pattern Oxford (Wm rogers Mfg. Co. ) was also used by the Banner Buggy Company and Peterson and Company of Chicago. Peterson and Company a flavouring and extract company.

In 1913 the Wm Rogers pattern Argyle (also stamped Anchor Rogers) appears to be the last of the Banner Buggy Premiums.

Many other patterns were adopted as premiums, like Queen Bess mentioned before.

One of my favourite patterns is Friendship from 1932.  friendship was made by Wm Rogers Mfg. Co. as well as Oneida Community Tudor Plate. This pattern had its own naming contest, (the winner of the $ 7,000 prize proposed the name Medality)

Not really surprising considering the contest was for Gold Medal Flour.   I once picked up six dessert forks in this pattern at an estate sale, where the advertisement and "point saving" card were wrapped around the silverware. Someone had carefully saved packaging and was in the process of acquiring more forks.  Something had stopped the process and the whole business had been undisturbed until I picked it up and sorted through it.

I know premiums continued for a while, my own mother has mentioned saving coupons when she was younger for silver. I think this may bear investigation.

Tuesday, April 13, 2010

Book Review: Victorian Silverplated Holloware 1857, 1887, 1883

Victorian Silverplated Holloware:  
Tea Services, caster sets, ice water pitchers, card receivers, napkin rings, knife rest, toilet sets, goblets, cups, trays and waiters, epergnes, butter dishes, pickle casters, salts, tureens, communion services
Rogers Brothers Mfg. Co., 1857
Meriden Britannia Co., 1867
Derby Silver Co., 1883

1972
Wallace-Homestead Book Co.
Des Moines, Iowa

ISBN #0-87069-154-6

This is a fantastic book with a ridiculously long title and no clear single author. It consist of catalouge material (those found in the title) provided by the Historical Library of the International Silver Company (INSILCO) and assisted by the resident historian E. P. Hogan.  The introduction (pages 1-15) provide a brief overview of silver history and silver plate manufacturing in the United States. The authors then provide a brief reading list.

Chapter1

The first of three chapters covers the Rogers Brothers Mfg. Co.. Pages 17-18 are a short history of the company. Pages 19-38 are a reproduction of their catalogue from 1857. If you are attempting to learn period styles this is a very useful resource. If you are attempting to identify pieces, it might be possible to find your piece here, however, it would be pure luck if you came across it.

Rogers Brothers Mfg. Co. officially formed in 1853 from its beginnings as the William Rogers and Company. William Rogers being the oldest of the brothers. In 1847 William Rogers and Company first advertised that they could supply plated flatware on German silver. The catalogue reproduced here was created by Sarony, Major, and Knapp and was printed in two colours. It is essentialy line drawings of the line of wares avaliable. In 1862 the Rogers and Brothers Mfg. Co. was adsorbed into the Meriden Britannia Company.

Chapter 2

Chapter two is a paragraph covering the Meriden Britannia Company then the partial reproduction of their 1867 (138 page) catalouge Heavily Electro Plated Nickel Silver and White Metal Goods. This catalouge appears to be their first and started a trend of production that would lead to the massive 1886 catalogue of over 400 pages.  If you wish to see Victorian silverplate in its varied and interesting forms then this chapter is crucial to expanding your understanding. The variety of the goods and the clarity of the woodcuts are fascinating.

Chapter 3

Chapter three reprints part of the Derby Silver Company catalogue of 1883. Both Derby and Meriden would be founding members of the International Silver Company in 1898. The authors make the argument that comparison of the Derby and Meriden Britannia catalogue shows that Derby's designers "lacked something of the suavity and sophistication of those employed at Meriden" (page, 105) But they fail to realize that the catalogues are sixteen years apart and the market, styles and economics had changed for silverplate in that time. They do mention that this catalogue showed a shift towards oriental themes being popular in silver. I own several pieces of Derby, and find it to be rather pleasing. Furthermore, as a less popular maker it helps to make Victorian and post Victorian silverplate affordable for a collector in my price range.  In fact I have my eye on a couple of Derby art nouveau candlesticks downtown.

Of all three catalogues published here the Derby catalogue has the most interesting and  greatest variety of goods.

This book provides a minimum of original historical research, but as a text containing examples in a format that allows a longitudinal historical comparison it is fantastic. This is a text that lends itself to original research.  This fills an important niche in silver research. The price of original catalogues is astronomical,  further most catalogues held by libraries are only viewable if you happen to visit. Books like this one fill an important area for the silver enthusiast. this book itself is becoming a bit rarer. I had to borrow my copy from the Iowa State University Library. But it is available from time to time at the usual online book retailers.

The Derby Factory

 

Monday, April 12, 2010

Wiliam Babcock's book from 1708 A New Touch-Stone for Gold and Silver Wares

A quick perusal of the table of contents is well worth your time. It covers the types of items made, counterfeiting, and manufacturing techniques.