Showing posts with label Reed and Barton. Show all posts
Showing posts with label Reed and Barton. Show all posts

Saturday, December 18, 2010

Last Water Pitcher. Reed and Barton


This is the last of my three water pitchers.  Oh I have many many other pitchers but those are not just water pitchers. Strangely it was the first water pitcher I bought.  I purchased it at an estate sale about four years ago. The maker is Reed and Barton and it was made in 1943. I know because unlike so many other makers Reed and Barton is kind enough on later works form 1928 on to put a date symbol (much like British sterling has). This piece has a fasces and thus was easy to look up.  Another  unique thin about his pitcher is its weight. Even though it has a ceramic insert the bottom is weighted quite heavily. This was to keep it from sliding on a table. Why? you inquire. Because this pitcher was made for the U.S. Navy. It is marked USN on the bottom. This means it was made during Word War II. 

I could go into a long discussion here about the history of Reed and Barton, their date marks and other marks but this information has been covered by so many people. Probably because they are still producing silver and silverplate.  However if you are interested you should check out this site. Giorgio B. has done a wonderful job of covering Reed and Barton as well as many many other makers and topics. I rely on it constantly. I can't imagine what his collection is like but this database of information is second to none. I truly admire his work. 

Tuesday, May 4, 2010

Reed & Barton Cashmere 1889

Sometimes I get a piece of silver and put it to use. This happens most
often to serving-ware. Yesterday I was making a pizza for dinner and
grabbed a ladle to scoop and spread some tomato sauce. The ladle was
marked Reed & Barton but I did not recognize the pattern. Turns out it
is Cashmere from 1889. What a great way to spread pizza sauce.

Friday, April 23, 2010

Reed & Barton Serving Fork

 


I had my eye on this serving fork for a while. I finally picked it up for under five last Saturday. It is massive. Heavy and thick. The mark on the back is very simple it read Reed & Barton. The other fork is there for size comparison.

Thursday, April 15, 2010

Reed & Barton Advertisement from Everybody's Magazine 1914

This advertisement focuses on the "Colonial Style" and attempts to link it to a classical form of art that will never go out of style. It features the "Waverly" pattern.  Since this is from 1914 I think we are safe in assuming that its claims are directed against the Victorian decorative styles that preceded it. This advertisement is important because it shows the re-marketing campaign that silver companies went through as  taste preference in the decorative arts changed. 

The Reed & Barton Britannia Works 1868

This is a description of the Reed & Barton works as well as some strange nonsense about regional personalities. The short history of Reed & Barton int eh beginning is interesting as well as the description of the factories and the various metals that Reed & Barton worked with. It is from teh book: A history of American manufactures from 1608 to 1860...: comprising annals of the industry of the United States in machinery, manufactures and useful arts, with a notice of the important inventions, tariffs, and the results of each decennial census. Published in 1868. The volume in its complete form can be viewed below. 

Reed & Barton's Works,
For the manufacture of Britannia, Albata, Nickel, Silver, and SilverPlated Wares, at Taunton, Massachusetts, are the oldest, and one of the largest in the United States. About 1824, Mr. Isaac Babbitt, the inventor of what is known as the Babbitt Metal, commenced the manufacture of Britannia ware at this place, and may be called the founder of the business. Subsequently, the business established by him passed through the hands of Babbitt & Grossman, West & Leonard, the Taunton Britannia Manufacturing Company, none of whom found it profitable, until, finally, Henry G. Reed and Charles E. Barton, who were apprentice boys to some of the other firms, associated with another, became proprietors, and by industry and perseverance succeeded in building up one of the largest manufacturing concerns in the country.

The principal buildings have an aggregate length of about one thousand feet, and are divided into departments for special purposes, such as the machine room and rolling rooms, the burnishing rooms, plating rooms, press rooms, buffing rooms, polish rooms, and others. In their press room they have a number of presses of immense power—one screw press weighing about seven tons, for stamping designs and figures upon the different articles of their manufacture; and their stock of dies is most complete. Their show room presents a brilliant array of specimens of their workmanship that would attract attention and extort admiration even in an exhibition of Solid Silver Ware.

Within the last five years, this firm have made important additions to their list of manufactures, and now produce, besides Britannia and Silver-plated wares, all kinds of Electro-plated Nickel Silver Table Ware, and Albata Spoons and Forks, that can only be surpassed by solid silver. They have increased the number of their hands to nearly five hundred, and have added so largely to their facilities for manufacturiug that it may be said every tool or machine that can be used advantageously in the business will be found in their workshops.

Within the same period also, this firm have made great improvements in the patterns and styles of their wares. It is one of the advantages of electro-plating that all ornaments, however elaborate, or designs, however complicated, that can be produced in silver, are equally obtainable by this process, and one of the benefits that such firms as Reed & Barton confer upon the country, is that they familiarize the American people with forms of beauty and elevate the standard of public taste. An American artisan can now command exact copies of the choicest plate in the repertory of kings. The Anglo American, said the London Art Journal, some years ago, seems ,the only nation in whom the love of ornament is not inherent. " The Yankee whittles a stick, but his cuttings never take a decorative form ; his activity vents itself in destroying, not in ornamenting; he is a utilitarian, not a decorator ; he can invent an elegant sewing machine, but not a Jacquard loom ; an electric telegraph, but not an embroidering machine." 

This reproach, if ever true, is rapidly losing its force. Even American artisans, while properly maintaining that ornament should be subordinate to utility, are yet beginning to understand that " a thing of beauty is a joy forever," and in schools like those of Reed & Barton, where chaste designs are multiplied and wares rivalling those of the jeweller and silversmith are made and sold at prices accessible by all, the American people are being educated in taste and love of the beautiful, which is said to be the finest ornament and purest luxury of a land.

The Advocate of peace, Volume 3 1871 - Reed & Barton

Some more digging trying to find earlier advertisements turned up this one from 1871. Reed & Barton would have been in direct competition with many of the small producers during this period, as it is before the formation of the International Silver Company. This advertisement also mentions various fairs, a common promotion method mentioned in Moskowitz's book.


At the American Institute Fairs, held in New York in 1867 and 1809, and at the Mechanics' Fair held in Boston in 1869, REED & BARTON received the highest prizes over all competitors for ware exhibited by them.
The following extract Is from the Judges' Official Report:— " The Judges are warranted in pronouncing this display of Ware to be of superior merit, unsurpassed in quality and style. The durability of REED & BARTON'S ware has been so long known to the Judges, that they feel it their duty to accord them the position of First among the Manufacturers of plated goods."

Reed & Barton The Harvard Graduates' Magazine, Volume 16 1908

Another Reed & Barton advertisement. This one features the Roosevelt Cup and shows their mark for sterling from the same period.


"THE ROOSEVELT CUP

Sterling Silver DESIGNED AND MADE AT THE REED & BARTON SILVER WORKS
IN competition with the leading Silversmiths of America, this design was selected by the President of the United States as the American Trophy for the Jamestown Fair Yacht Races. Cups were also donated by King Edward and Sir Thomas Lipton.

This was not a competition as to price, but one purely of design and skill, and the selection of the Reed & Barton trophy was a fitting recognition of the highest type of American Silversmithing.
The same qualities which won this competition for Reed & Barton, are winning every day for their other productions: Perfect Workmanship, Beautiful Designs, Intrinsic Values.
Reed & Barton productions rarely win in a competition of prices. They are not advertised or put forward as desirable, because cheap. They are not seen on everybody's table or sold in every kind of a shop.
Only the better jewelry stores sell them. Thus a wedding or Christmas gift of Reed & Barton silver is the more choice and desirable.
Reed & Barton Silver costs but a trifle more than other makes, but the satisfaction of knowing you have absolutely the very best silverware made in America, is well worth that trifle. ..
Ask your Jeweler to show you Reed & Barton Silver and judge for yourself. Note particularly the weight and excellence of finish in comparison with other makes. Write us for catalogue A-19.
REED & BARTON
Silver Works Established 1824 TAUNTON, MASS.
The Oldest Makers of Silverware of Repute In America
New York Stores
REED & BARTON CO. 320 Fifth Avenue and 4 Maiden Lane 

Reed & Barton Advertisement Scribner's Magazine 1909

Someone was searching the blog two days ago for "early Reed & Barton epns" Because of that I did some digging and came up with this advertisement from Reed & Barton from Scribner's Magazine in 1909.  Its not really "early" the company started in 1824, but it does show some nice pieces of holloware.

                                Make This a REED & BARTON Christmas
By selecting' all your gifts of Reed & Barton Silver from a Reed & Barton Jeweler. It will reflect your own good taste and be a pretty compliment to the recipients. For Reed & Barton Silver gives enduring satisfaction. It is substantial in weight, uncommon in design and faultless in workmanship.
Reed & Barton productions rarely win in a competition of prices. They are not advertised or put forward because cheapest. Nor are they sold in every kind of a shop. They are obtainable only in the better jewelry stores. Hence a gift of Reed & Barton Silver, either Sterling or hign grade plate, is the more choice and desirable. So make this a Reed & Barton Christmas



Wednesday, April 14, 2010

McClure's Magazine December 1915- Reed & Barton Advertisment

This advertisement features the Heppelwhite Pattern from Reed & Barton. Small trade mark for the time period is also shown.

Wednesday, April 7, 2010

Meriden Wares at the 1876 Centennial Exhibition.


Many manufactures made pieces specifically for the Centennial Exhibition of 1876. Silver plate manufactures were originally meant to display with the states where they existed. They contacted Henry Pettit Chief of the Bureau of Administration of the Centennial and demanded that they have their own space. Reed & Barton built a "Rosewood and French Plate Glass Case & Base" that was 27x8 feet and ten feet high. they spent $15,250 on exhibit expenses and displayed $24,500 in goods. (cited in Moskowitz, 2004). Reed and Barton's center piece was the "Progress Vase" a 3x4 foot piece of silver embossed with scenes from the 15th and 19th Century.

This picture is from the Meriden Britannia Company display. It is listed as glass serving dishes with figurines. I imagine that they too along with their competitors Tiffany and Gorham had the best of their best works on display.

You can view this picture and its details here.

Centenial Exhibition

Marina Moskowitz in her book Standards of Living goes to great lengths to demonstrate the importance of the Centennial Exhibition to making silver plate a normal and acceptable part of American households. It also helped to overcome the prejudice that people had against silver plate as being an object that was poorly made. Her work focuses on Reed and Barton and its involvement in this process. She mentions how awards from these exhibitions were used in advertisements as well as allowing people to view the wares. She also mentions that news coverage of exhibitions also provided important advertisement in educating and shaping public opinion.

This article from the New York Times Archive dated December 17 1876 covers the involvement of the Meriden Britannia Company. It covers their signature finish and how they were received by the public.

You can read the full article in .pdf format here.

I have not done any research there yet, but there is a digital collection of material from the Centennial Exhibition.


You can check it out here.
If you find something interesting let me know.